The History or Theory of the Arts
(CORE Code: HA)
(D) listed after a course indicates that this course also double counts as Human Cultural Diversity.
| Course Number |
Course Title |
Diversity |
|---|---|---|
| AMST 205 |
Material Aspects of American Life |
|
| ARCH 170 |
Introduction to the Built Environment |
|
| ARCH 223 |
History of Non-Western Architecture |
D |
| ARCH 224 |
The Ancient Roman City: Pompeii and Beyond ( Also as HONR 208S) |
|
| ARTH 100 |
Introduction to Art |
|
| ARTH 200 |
Art of the Western World to 1300 |
|
| ARTH 201 |
Art of the Western World after 1300 |
|
| ARTH 250 |
Art and Archaeology of Ancient America
|
D |
| ARTH255 | Art of Modern Americas | /D |
| ARTH 275 |
Art and Archaeology of Africa |
D |
| ARTH 290 |
Art of Asia |
D |
| ARTT 150 |
Introduction to Art Theory |
|
| CMLT 245 |
Film, Form, and Culture |
|
| CMLT 280 |
Film Art in a Global Society |
D |
| DANC 200 |
Introduction to Dance |
D |
| ENGL 245 |
Film and the Narrative Tradition |
|
| FREN 243 |
Masterpieces in French and Francophone Cinemas |
D |
| FREN 298 |
Aspects of French Civilization (Topics
will vary) |
|
| HHUM106 | The Arts in Practice | |
| HONR 208J |
Architecture,
Power, & Public Policy |
|
| HONR 208S |
The Ancient Roman City: Pompeii and Beyond (alos as ARCH 224) |
|
| HONR 209E |
Attending the Blockbuster: Understanding
the Cultural Impact of Temporary Exhibitions |
|
| HONR 238D |
The Contemporary American Musical Theatre: From Hair to Hairspray |
D |
| HONR 239C |
The Creative Process in Dance |
D |
| HONR 248T |
Re-examining the Harlem Renaissance |
D |
| HONR 248Y |
Design and the Creative Process |
|
| HONR 249E |
Modern and Postmodern Music: Trends, Styles, Issues and Ideas |
|
| HONR 268F |
World Popular-Folk Music and Politics |
D |
| HONR268Y | Creative Futures (effective beginning winter 2012 [1112]) | |
| HONR 279C |
African American Art Theory: Exploration
and Expressions of Identity
|
D |
| HONR 288I |
Learning to Read the American Landscape:
From Parks to Parking Lots |
|
| HONR 288Z |
From Hildegard to Madonna: A Millennium
of Women Making Music |
D |
| LARC263 | History of Landscape Architecture | |
| MUSC 130 |
Survey of Music Literature |
|
| MUSC 140 |
Music Fundamentals I |
|
| MUSC 205 |
History of Popular Music, 1950-Present |
|
MUSC 210 |
The Impact of Music on Life (formerly MUET 210) |
D |
MUSC 215 |
World Popular Musics and Identity (formerly MUET 200) |
D |
MUSC 220 |
Musical Cultures of the World (formerly MUET 220) |
D |
| PHIL 230 |
Philosophy of the Arts |
|
| RUSS 298K |
Soviet Film: Propaganda, Myth, Modernism |
|
| SLLC 283 |
Introduction to Cinema Studies |
|
| THET 110 |
Introduction to the Theatre |
|
| THET 195 |
Gender and Performance |
D |
| THET 240 |
African Americans in Film and Theatre
|
D |
| THET 290 |
American Theatre 1750-1890 |
|
| THET 291 |
American Theatre 1890-Present |
|
| THET 293 |
Black Theatre and Performance I |
D |
| THET 294 |
Black Theatre and Performance II |
D |
| WMST 250 |
Introduction to Women's Studies: Women,
Art, and Culture |
D |
| WMST 298D | Women's Bodies in Contention (effective beginning winter 2012 [1112]) (I-Series course) | D |
| WRLD 125 |
The Creative Drive: Creativity in Music,
Architecture, and Science |
|
Current as of: July 2012
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